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| Architect gave an implied copyright licence | | Print | |
| Written by Noric Dilanchian | |
| Tuesday, 13 November 2007 | |
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This is illustrated in a leading copyright case for architects decided by the High Court of Australia in December 2006. The decision in Concrete Pty Ltd v Parramatta Design & Developments Pty Ltd [2006] HCA 55 is about copyright in property development plans.
It's
an interesting case worthy of a detailed case report.
The money at stake makes copyright in property development architectural plans a common legal issue. To simplify this recent case we'll tell the story in words, pictures and finally numbers.
Words
In terms of words, the case is about a joint venture that went wrong and calculated risks taken by property developers out to make a profit.
An architect (Mr Ghassan Fares), and a solicitor with 40 years of experience (Mr Benjamin Barrak), were joint shareholders of a property development company. To buy land at 5 Laman Street, Nelson Bay in 1998, they sought a joint venture with others. They were joined by a solicitor (Ms Jeanette Haviland) and her former husband (Mr Kevin Rix).
These joint venturers bought the land. They accepted that Mr Fares, the architect, should do the design work for an eight unit development.
Soon after, the Port Stephens Council approved a development application for a neighboring block to have 16 units. After initially opposing the neighbour's plan, Mr Fares and Mr Barrack decided to press for more units. After Mr Fares said he would not charge more for a new plan, the joint venturers made a successful application to build 14 units. The Council approved the development application on 10 May 2000. Importantly, to utilise the approval development was required to proceed within five years. After that new approval would be required.
Irreconcilable differences then arose among the joint venturers. The Supreme Court of NSW was asked to make orders to sell the land in June 2002. It was sold but under a sale of land contract in which the buyer (Concrete Pty Ltd) was expressly put on notice that the joint venturers' dispute existed, including as to the existence of any licence to use the copyright in the development application plans for the 14 units.
Concrete bought nonetheless. It then received copyright threats in two letters from solicitors representing Mr Fares and Mr Barrak. Both letters said use by Concrete of the copyright plans would be "at its own risk".
Relying
on section 202 of the Copyright Act 1968
(Cth), Concrete sued to seek a court declaration and damages for "unjustifiable
threats" from the architect, Mr Fares, about his copyright claim to the plans
for the 14 units. Mr Fares' company, Parramatta Design & Developments
cross-claimed to allege infringement of copyright. In other words the architect said no plan was licensed and Concrete said it had received unjustied threats connected with that claim.
The first hearing was before a single judge (he ruled for Concrete). It then went on appeal to the full court of the Federal Court (it ruled unanimously for the the architect and Mr Barrak). The saga continued to the High Court (it ruled unanimously in favour of Concrete). In all three hearings the courts considered claims of bias against the single judge. This claim of bias was because his Honour noted the dual role of Mr Fares as architect and co-developer through the joint venture company and said that the architect's copyright claims were "enigmatic".
In the High Court, Mr Fares and his collaborator, Mr Barrak, both lost against Concrete, the buyer of the land. In essence, the court ruled that there was an implied copyright licence granted by Mr Fares or his company in the plans for the 14 units and that this licence was more than a bare licence revocable at will. Instead it ran with the land to buyers of the land and hence no further copyright licence or negotiation or deal was needed with Messrs Fares and Barrak as regards copyright in the plans.
Perhaps the result would have been different if the special "enigmatic" facts of the case were not present. They were that the architect holding copyright in the plans was closely involved in development decisions, thus making it harder for the architect to avoid a licence being implied by the circumstances. Still there were other considerations found for ruling in favour of Concrete. For example, in their joint decision, Kirby and Crennan JJ state: "It is important to observe that there were no conditions imposed restricting the development consent to the applicant, the owners of the land, or to the effect that the development consent did not run with the land." (para 66)
Pictures
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The work of architects exposes them to legal risks. Lack of clarity in documents or arrangements often causes angst for architects. It is sometimes also used by them as a negotiation tactic.

